Statistics have shown that in the last few years of civilian footsteps on earth, we have seen a drastic renewal of fossil fuels and the progression of economy demand. These energy sources have began to proceed in high demand and depository accounts. Referring to cleaner structures, the production of advancement has began to focus directly on the systems of energy sources and the technological discoveries. The purpose of evolution is to succeed in a dedicated position of knowledge focused on the achievement of further growth. The growth of the earth and generations has become the most competitive stage of all subjective fields. Objects of survival across the seas have valued the worlds total production at a 100 trillion. The percentage per capita is estimated at 10,000. Purposeful yet objective is the numbers which lack physical evidence yet prove to be the empirical statistics.
Monday, November 28, 2011
Useage.
"Take a chip from the whole, for one window reveals twenty windows in the story of produced skies." - Dan Zybala
Thursday, November 24, 2011
Touched By an Eagle, Separated by an Owl.
"Paint by numbers leads to expansion, but paint by letters leads to the contraction of what is now in the world of all eternity." - Dan Zybala
Paintings always contain information into the future of creation, a reality portrayed through the present day. When viewing artists and critiquing their repertoire, the assemblage of themes portray the comparison of what the painter is trying to express. In many paintings the use of imagery often shows a glimpse into a future path where leading leads to the experience of a future day in life. Especially in old artists we see the vividness of what a creation implies against the structure of many lives amongst the worlds canals. In future we see growth in any shape, line, or form, presenting purpose for the eyes of a viewer. The reality of artistry is the scope of imagination and the way it reveals the future in times of transgression, transition, and translusive ways of painters fine exploration. With creation in art, the spectators represent the audience of what an artist is trying to express for the continuation of worlds existence. Advancing into the world needs art and not just for respect or show but the story to arise from the creation of certain futures. Movements in creation reveal truth in the way we imagine whether its now, soon to be, or halfway down our future, the artists will show the life of eachother.
Monday, November 21, 2011
Michelangelo mapping.
"On the ceiling is the faces of a world on their knees." - Dan Zybala
Over canvas covered rooms the main studio shows a collection of paintings marked with the signature of all result. Painting in the 1500 hundreds dedicated itself to the music now beginning to raise influences to the times of churches being re-built and the times of more classical perceptions on poetry and prose explaining ideaologues. When Michelangelo left his studio, the mural of 4034 portraits on the cieling of the Sistine Chapel had been completed in just over two years. The passive voices of following proletarians in the painting always dropped their jaws when the glances back at them revealed identities or traits in themself. Looking to incorporate emotions of happiness was always the artists main appeal of what he wanted from his painting. Applauses of beauty and remarks of positivity had the creators and viewers on their hands over and over again as they returned to view the creation repetively. Essentially the artist had developed a reason for life and needed to fulfill his duty as a painter in both senses of intrinsic and extrinsic benefit. The presence of design helped initiate a following in sense of differentiation. style, tone, and meaning. The creation of all Michelangelo masterpieces begins with the concept and leads into an action of involvement in society and all surrounded living things.
Saturday, November 12, 2011
Rembrandt.
"Self portraiture is the portrait of the Self through acts of Self-reflection." - Dan Zybala
The portrait in all expressional worth has always been the focal point of any painter in his career. The truth of creation lies in the feature of what pertains to be the overall personal mission of the painter looking to describe himself through the use of palette hues, values, and many other shadows of darkness or light. In the particular self-portrait Rembrandt tries hard to grasp the simplicity of his outside background giving a dark hue to the way his eyes remain in a face so hidden by remorse in the conception of age or possibly emotinal distraction. The tendency to construct a cheek bone so avidly rearranged by the years hard at work on his life study reveals the deep essence of what is behind the act of such a creation known to the history of the creator. Looking into the development of structure shows the posture so straight and confident allowing for a positive reinenforcement to who he really is as a visual artist. Different from others is the structure of his misdemeanor portraying the casualness of his self image, yet giving a brush off to the viewer who still respects him even though the ego in him is beyond the comprehension of a current viewer. The spectator now decades later realizes the cool and calm attitude of Rembrandt giving the feedback too often determined to accept his state of confidence leaving the modern poet hoping to push his art into a remembered state of positivity and continous study for generations to come.
Wednesday, November 9, 2011
Expear.
"Told like rumours, the change of life." - Dan Zybala
Over the bridge between lakes separated the country boundaries of both borders. Across each direction travelled many but also held back the majority. To include such a tourist destination seemed positive to support the locations. Many sundays they drove across the bridge to experience the different air. Although frequency of this weekly ordeal sometimes grew old, new faces reached the importance of a new study. This is where language and physical movement captured the eyes and ears of the learning curve. The experience that foretold the history of future paths.
Monday, November 7, 2011
Political Triange Rant.
" The shape of things to come, announced at a later date...." - Dan Zybala
Subverting information seeks to imply the conclusive evidence one soughts after. From a piece of the puzzle the individual disects the respondents of political power refunding the final solution. Upon the thoughts of government leaders rebels the acheived respondents dictating democracy into foreign fields. Assessing trade sanctions generates the ability to pronounce the precision of secret monopoly movements. By changing the cycle of control, a precise plan enforces the continuation of what is to become of it all? As the world leaves behind its forceful nature that dominates the political world the stance of the triangle conception plans the superior ideals concerning the dictatorships of democracy upon all global lands, ending in the privatization of one ruler over populations.
Thursday, November 3, 2011
Telling Lies.
"With absurd connection, the images separate fiction from non-fiction." - Dan Zybala
The profession of abstraction needless to say starts with the conception of imagination revelled in the distinction of reality. As creation reaches the point of a different world, we see the life around us melt like a candle around the pedastal of the earths surface. When the time and light intersect with a pin-point fixture, the dawn of such a developed background tells the story of an image connected to the foreground of another image, telling the tales of two different stories in one setting. As the poet smokes his pipe, the mythological hysteria often proving lies, expands the nose of such a coined observation similar to pinocchio, telling us the unfactual preception of an author gone mad. The loss of sanity in this composition simply provides the basic picture to a devastated loss in the brains identity that reveals its own personality. This lost sense of honesty tells the short story of the way in which the preception of such a man separates himself from the solitude of a candlestick and the way it stands motionless in the room of the study.
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